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Elephants, Arabians, Indians and
courtesans, Acrobats and juggling bears, exotic girls,
fire-eaters, Musclemen, contortionists, intrigue, danger and
romance, Electric lights, machinery, and all that
electricity, So exciting, the audience will stomp and
cheer.
- From “The Pitch”, Moulin Rouge,
Lyrics by Baz Luttman and Craig Pearce, to the tune of Offenbach’s
Orpheus in the Underworld (the “Can-Can” overture), Copyright
2001 Twentieth Century Fox Films.
I don’t feel much
like Moses, and none of us will know whether it’s the Promised Land
until society fully gets there, but I think that I’ve seen the face
of the future of communication, and it’s an exciting, vibrant, and
uncensored future. The new second and third generations of peer to
peer computer file transfer protocols (“P2P”) already provide some
immediate and incomparable opportunities to the consumers,
producers, and distributors of adult content materials and they
promise to have profound effects on law and society. They may even
make the prosecution of obscenity obsolete.
We may have the
record industry to thank, curiously, for this development. On July
20, 2001, the New York Times reported on page one, “The record
industry’s largely successful effort to cripple Napster . . . has
left it facing something potentially worse: a new generation of
music-swapping sites, more numerous and much harder to
police.”
But the new generation of file transfer protocols
handles much more than MP3’s. On the strong recommendation of
genuine, bona fide, under-25 computer geeks, I took a close look at
Music City’s Morpheus (http://www.musiccity.com/), an
online peer-to-peer file sharing protocol.
At 2:00 a.m. on a
recent Monday morning, over 464,894 users around the world were
sharing 72,230 files with one another, all interconnected by
Morpheus. The Morpheus file sharing protocol browser is a free
download on CNET, and Tucows. It has been on CNET’s Download hit
parade for 42 weeks and is consistently one of the top five
downloads. At the time this article is being written, it was the
number one download in its category on CNET, with over 1.4 million
downloaded in the prior week. None of this will surprise many people
under twenty-five. The generation now in school uses it to trade
music. But they also get their porn, hacker and phone phreak
training manuals, and commercial computer programs from Morpheus and
other similar peer-to-peer protocols such as KaZaA, Aimster, and
Gnutella. Sketchy numbers indicate that this generation may be
looking at more porn than any generation that preceded it, without
paying for it, and just about evenly among males and females. A
casual look at the webcam images and clips posted on the newsgroups
shows that the generation coming up seems willing to make and post
its own amateur porn, too, in big numbers. (I looked at KaZaA, too,
and found it to be nearly a twin sister of Morpheus in its interface
appearance and operation, available content by nature and amount,
and the volume of persons online.) All of this suggests some major
changes are ahead in the way American society deals with erotica and
sexuality that may make what passed for porn-chic in the generation
of the Seventies seem quaint.
By attacking Napster, the
record industry pushed the traders of music and other entertainment
files onto the dispersed computers of the users swapping the files.
Morpheus works as a decentralized, self-indexing network, in which
each user’s computer becomes, in effect, a server, providing the
files placed by the user in a “shared files” directory, to other
network users. It uses advanced FastStreamTM technology
to provide a constant download rate from multiple sources – so that
the file you get will most likely be the result of partial downloads
from many other members of the network, choreographed to get the
stream of bits that make up images to you as quickly as can be
arranged, from the fastest source at each instant. The program
selects certain members’ computers, with good connection speeds, to
be nodes in the network and funnels searches outward to these nodes,
through cyberspace, to look for the object of your search on all the
other member computers. It sounds far more complicated in that
description than it is. It is simple and easy to use. Morpheus
licenses components from Microsoft Internet Explorer and Windows
Media to make a familiar interface.
I can’t begin to describe
the virtually uncompassed ambit of Morpheus’s topical reach. The
nature and identity of the files retrievable are limited only by the
imagination of the network’s users: Among the “documents”
retrievable when I looked were: anonymously written chemistry
handbooks that go way beyond the one that came with my
Gilbert Chemistry Set when I was a kid; unauthorized guides to
hidden features in popular software; what purported to be (not all
that convincingly) a highly classified military handbook on dealing
with recoveries of alien remains from UFO crash sites; a book
promising to show how to crack DVD’s; an employee’s handbook from
the NSA; and some hard to find works about practical magic, and
clandestine rites for the famed Ordo Templi Orientis, written by
Aleister Crowley in the era of World War One, recently reprinted but
long since out of copyright. All the popular and expensive image
manipulation and web design programs with which I’m familiar, whose
unlicensed distribution would be in violation of the Copyright Act,
were listed along with key generators. (Whether the programs
contained malicious viruses or even worked, I don’t know.) I do know
that some of the programs listed were shareware or trialware
limited-duration trial copies, probably put there by the copyright
owners to get wide distribution of their products in the hands of
people most likely to like them well enough to buy them.
I
thought it would be a good test of music availability to look for a
corny old song that I’ve liked since childhood, suspecting it to be
of little interest to very many of the users of Morpheus, who I’d
suspect to be younger than me in the main. I picked Limbo
Rock. In seconds, I found not only Chubby Checker’s standard
version on the computers of 22 other users, but also learned that
three other users had an obscure performance by Harry Bellefonte
that I’d never heard; He sings as though he’s trying to convince us
that he’s on psychotropic drugs. (He doesn’t quite pull that, or
anything else off. But you’re not reading this for a music review, I
know.) I also found choral performances of Pange Lingua, Tantum
Ergo, and other formerly top-ten Gregorian Chant standards from
the Thirteenth Century that haven’t frequently been heard in
American Catholic churches since Lyndon Johnson was in the White
House.
Leaving pseudo-Calypso and Latin ecclesiastical music
behind, my survey of P2P came to The Porn: The Arabians, courtesans,
contortionists, and machinery – everything that the cast of Moulin
Rouge sang about to the tune of Orpheus in the Underworld exists in
the world of Music City’s erotic Morpheus – and much, much more. I
saw a genre of videos depicting the use of sexual machinery that I
didn’t know existed. (Well, I knew the machinery existed, but I
didn’t know that it had spawned a video market.) One man’s – or
woman’s - erotica is another person’s belly laugh. The user can find
and download on Morpheus just about anything one can imagine that’s
capable of digital transmission. This costs nothing beyond being
subjected to advertising banners and popups that sometimes seem to
crash Windows. Meanwhile, the user can share his or her digital
files with a worldwide audience in a fairly topical and focused
manner by describing them topically when he or she places them in
the “shared file”.
The erotic range of what is out there on
Morpheus runs a wide range of interest, to suit all mainstream
tastes and some fairly obscure niches. I saw some disturbing images
that frankly I wish I could unsee. (Just because you’re a free
speech lawyer doesn’t mean that you want to actually see everything
that is out there.) And that points out one of the problems with
Morpheus. Because members are completely free to describe the files
they share, and because people are, after all, people, the
descriptions are frequently not very accurate, and sometimes
downright misleading. Searching for Brittany Spears in Morpheus has
a not insignificant chance of leading to porn.
This
mislabeling, and the lack of safeguards against access by minors to
pornography, troubles Congress. (See Report, Children’s
Access to Pornography Through Internet File-Sharing Programs
Prepared for Rep. Henry A. Waxman and Rep. Steve Largent Minority
Staff Special Investigations Division, Committee on Government
Reform U.S. House of Representatives, July 27, 2001). Morpheus now
claims to have a filtering protocol with the aim of addressing
material harmful to minors, but I was unable to assess its
reliability. As the House Minority report makes clear, the web-based
child protection software, controversial in itself and continuously
attacked by Peacefire and others (and which often blocks my own
non-pornographic free speech website because it has “xxx” in the
domain name), is wholly useless to limit access to minors because
Morpheus runs on its own proprietary browser.
It is obvious
that many adult websites with limited budgets (but huge ambitions)
are using Morpheus to get attention and build popularity by sharing
porn clips of 20 second to two minute duration, complete with
graphic animated intros and a running logo with URL in the lower
right of the frame. I saw some well-done video clips that work to
create interest coming from sites I’d never heard of before. From a
distributor/webmaster point of view, Morpheus is exciting and
provides an interesting and attractive opportunity for free and
effective advertising. Many of the clips posted amount to porn TV
commercials for porn sites. The sharing member can index, describe,
name, and rate the clip in any way he wishes in a generous field of
information that will be seen on the user’s computer when he chooses
download and be passed on to others with comments. This promotion
costs essentially nothing but the cost of production. It will get
attention by consumers far more particularized than would one more
line in an already-spammed-out newsgroup would get, especially
because the viewer is seeking it out, and such promotion avoids
battle with the ardent cybersoldiers of the anti-spamming community.
Special software is available from Music City for users who wish to
share more than 5,000 files.
I can’t think of a cheaper or
more effective way to get large files to a world-wide audience. The
potential to get a message out is simply enormous and unprecedented
and limited only by human creativity and ingenuity, whether the file
is a self-published book, a photograph, the Bible, or a video clip.
Just as the development of the technology of fax machines affected
developments in China and the satellite telephone affected
developments in the former Soviet Union and in the Gulf War in the
early 1990’s, look for this technology to change history, too, in
conjunction with the increasing market penetration of broadband. It
excites me because it expands the power of expression exponentially
in ways that ordinary people can harness.
But Morpheus also
presents you with opportunities to cut your own throat, as most
breathtaking technological developments do. Morpheus has a dark and
dangerous side and only time will tell what steps are taken with
respect to it. That’s what led me to title this article as I
have.
A small number of images I found on Morpheus are quite
illegal to possess or distribute. I am not talking here about what
the law just brands as obscene; I’m talking about the much nastier
stuff involving the depiction of underage persons. I saw quite a bit
of age-questionable borderline material, but I did not see a great
many images involving obviously underage persons, and this tracks
with my assessment that the very large majority of persons have only
one reaction to these kinds of images, and that it is disgust.
However obsessed the devotees of that stuff may be with it, they are
not numerous. The distribution and even the private possession of
lewd images of minors under the age of eighteen are always against
American law, even in some cases, where the subjects are fully
clothed. It’s serious: There is a fifteen-year penalty per image for
distribution. Because there is more of it out there, the
age-questionable borderline material is precisely what is most
likely to put someone in jail: All it takes is a jury that believes
a testifying government pediatrician, that the subject is a person
under eighteen, to a reasonable degree of medical certainty. It is
not a smart idea to set the Morpheus browser for some automatic
downloads of still or moving pictures and to walk away, because if
you do so, you will have no idea what you are acquiring and passing
on to others; You will do so at your own peril. Check to see what
you have downloaded pretty frequently, or before the download is
complete, as Morpheus permits, and terminate the download of illegal
content or material that you find disgusting before you spread it to
others.
One of my most serious criticisms of Morpheus is that
its browser makes it way, way too hard, and way too confusing, to
effectively terminate the sharing of files. It is possible to be
sharing files that you thought you had zapped, and that’s the
biggest danger of this interface. Morpheus makes it hard and
complicated to delete files and terminate downloads once someone has
started to upload a file from your computer; Given the dangers, that
is a problem that should be addressed immediately. (It is also my
strong recommendation that every computer user install and use
regularly a disc scrubbing program that will completely, totally,
and permanently eradicate all remnants of browser activity and wipe
disc slack space every time that a computer is turned off. New
computers should come with this software.) Illegal images can be
encountered quite innocently in web surfing, they may even be
invisible to the viewer but in your computer as the result of
javascripting, hidden under a site you are browsing. And they will
remain on your computer even when disc cache is cleared, even if you
delete the files, unless you take affirmative steps to wipe your
disc. Destroy the images and report such images whenever you
encounter them on the web to http://www.asacp.org/reportsite.html
where the information will be passed along to Customs and the FBI.
Don’t send the pictures to them or to anyone else.)
Copying
and the act of passing along the whole or a substantial part of
someone’s copyrighted work are each against the law, and doing so
intentionally can trigger enormous punitive damages. Nothing in this
article is intended to encourage that practice. Don’t do it. Music
City has begun a digital rights management program to protect
copyrighted works. However, one gets the strong sense that a
generation that’s grown up on DVD rips and warez software pirating
doesn’t (as a whole) have much commitment to traditional notions of
intellectual property protection through copyright, and that little
will stand in the way of the efforts of the more creative and
adventurous members of this generation to break whatever
copyguarding scheme may be devised. The growing reality is that
whatever is of quality out there will ultimately be shared one way
or another without benefit of license; that is likely to have some
effect, maybe profound, on the creative efforts that writers,
photographers, and others will put into production and writing. Time
will tell. Anyone who puts his creative work on the Internet must
realistically assume that, in the end, the best he or she can
practically achieve is to prevent its unauthorized commercial
use by others and, through creative means, to assure that some
promotional value will come out of the unstoppable private
trading.
But the most interesting part of Morpheus to me is
what it means to the law of obscenity.
Not every state has an
obscenity statute. Illinois and most states do. Under the Illinois
obscenity statute, and that of some other states, it is not a crime
to distribute even frankly obscene materials depicting consenting
adults to a personal acquaintence (and members of the animal
kingdom) unless they are transferred for money or other
consideration. This puts adult porn, traded gratis P2P, as Morpheus
enables, outside the criminal proscription of the lawmakers in
Springfield, assuming the members are "personally acquainted". (I
emphasize that this discussion involves obscene materials involving
adults. Anything and everything involving lewd images of
persons under eighteen is always illegal in this country and most
seriously so.)
Other less enlightened States, and the federal
government, do have obscenity statutes that criminalize the transfer
of obscene materials, even when done without charge. However,
Morpheus presents a nightmare of legal issues to a prosecutor and a
myriad of nightmares of evidentiary proof to a law enforcement
agency seeking to enforce obscenity laws. Unlike the situation with
drugs, the private home possession and use of obscene materials
featuring adults is not a crime and cannot be made a crime under the
First Amendment as explained by the United States Supreme
Court.
The evidentiary problems begin because the members are
identified to one another with a user name that can be and probably
is quickly jettisoned after a session, because all of the transfers
are decentralized out there in the field instead of centralized in a
server, and because it does not appear that Internet Protocol
addresses are recorded in the operation of a peer to peer protocol.
(But it would amaze me to learn it to be so if the Government
couldn’t track uploads and downloads and search queries from a
particular member under suspicion, whether encrypted as Morpheus
claims, or otherwise. There are some very smart and creative minds
in law enforcement and there almost surely exist technical
government means that can deal with the hundreds of thousands of
persons trading tens of thousands of files simultaneously, to sniff
out the downloads and uploads of governmental interest. Distilling
significant information from vast streams of data is what, for
example, the NSA has been mainly about for decades. Insufficient
data at this time to know one way or the other about the use of this
technology in criminal obscenity enforcement.) Because there is no
exchange of money, the staple law enforcement technique of following
the trail of the money is of no use. The practical impossibility of
halting the free flow of erotica and of enforcing the obscenity laws
may itself make the laws obsolete. Especially in victimless “morals”
crimes, the police do not want the responsibility of enforcing laws
that can’t be enforced.
So much for practical law enforcement
issues. The legal issues are stimulating, too. We are likely soon to
have some answer, even if only tentative, about the application of
the Miller “Community Standards” test to online website porn when
the Supreme Court resolves Ashcroft v. ACLU. The decision of
the lower court, in holding provisions in the Child Online
Protection Act to be unconstitutional in the context of materials
“harmful to minors”, was that no webmaster, under existing
technology, could even know into what community his materials were
being sent, and that fundamental fairness would be denied in holding
the webmaster to criminal responsibility for the standards of a
destination community that he did not know was involved in his
operations. But any consideration of a prosecution based on the
transmission of a file through Morpheus would take the unfairness of
such a situation to a new depth.
With the file distribution
technology and protocol used by Morpheus, as it appears to operate
and as it has been explained in the popular media, many users in
many places are simultaneously trading many parts of many files with
many other users in many places. And the member, of course, has no
way at all of knowing where the file parts are going geographically.
Morpheus is unlikely to know, either.
Any one particular
.mpg or .avi or .ram residing in your mass storage device may have
been assembled in your home from data originating in dozens of other
homes on different continents. It is unlikely that anyone would
be able to know which part of the data, ultimately residing on your
drive as an image file, came from how many sources, who those
sources were, and where those sources were geographically located.
In such a case, what jurisdiction(s) may, consistent with
fundamental fairness under the Due Process clause of the Fourteenth
Amendment, prosecute one of its residents for sending you a
now-unidentifiable part of your file? The files you placed have in
your “shared folder” may, with or without your knowledge of their
contents, almost certainly without your knowledge of where parts of
those files will be going geographically and what the prevailing
standards of prurience and graphic sexual expression may be in those
unknown places - and whether the destination jurisdiction even has
an obscenity statute - have parts of their data sent to a myriad
other jurisdictions. Sharing a video file in Morpheus is about as
unlike sending a videotape to a known mailing address in a Bible
Belt community as can be imagined. The traditional rule is that
any jurisdiction in which a substantial part of an act was committed
or prepared could prosecute the act criminally. [See
generally the unfortunate pre-Internet decision affirming
conviction of .gif images transmitted via BBS to Memphis and
prosecuted under the community standards of Memphis in United
States v. Thomas, 74 F.3d 701 (6th Cir. 1996)]. But the
application of such a rule of law in this context really would
permit the application of the obscenity laws and community standards
of the most conservative jurisdiction of several that might apply,
even as respects one image and one act of “sharing”, The community
standards of many jurisdictions may be involved in just one file, In
a protocol in which the user cannot control or affect the
destination of files he or she “shares”, such as Morpheus and KaZaA,
the ability of Utah, for example, to apply its obscenity laws (and
the prevailing community values they incorporate), through criminal
prosecution, to a portion of a particular file downloaded in Utah,
would deter the expression everywhere else of that file, even a
particular file that may be nonobscene in other jurisdictions. Such
a power to prosecute, if recognized, would give a veto on
expression, a censorial power, to the most conservative and
restrictive jurisdiction as to any particular file which cannot be
excluded by a member from transmission to Utah. Because this so
seriously threatens protected expression, it is not a rule of law
that has a great chance of prevailing. Finally, the prosecution of a
work because of the transmission of particular file parts, perhaps
not themselves obscene in any American jurisdiction at all, but part
of a whole that may be obscene somewhere, would make scrambled eggs
out of the proposition that to find a work obscene, a work must be
judged “as a whole” under contemporary community standards. Should
it be a crime to send a nonobscene part of an arguably obscene
whole? Is that a substantial act involving crime? These are the
confusing but inescapable issues.
It is a scenario under
which it would be enormously unfair and impermissible to apply any
particular community standards to impose a criminal penalty for
obscenity, except maybe that of the community in which the Morpheus
member sits, if even that community has a substantial enough
interest under the constitution in what adult porn its members watch
(and share with others at their home computers). And, to the extent
that Stanley v. Georgia 394 U.S. 557 (1969) remains good law,
the chances of that would appear slim. (Though there is always some
remote chance in this strange post 9-11 era, that the limitations on
Stanley contained in Paris Adult Theatre v. Slaton,
413 U.S. 49 (1973), will expand to wholly eradicate from American
jurisprudence the notion that a man’s home is his castle.) That’s
why I think that file sharing protocols such as Morpheus threaten to
shake the conceptual underpinnings of American obscenity law, and
the Miller Test in particular, to the core and to beyond
their shearing point. In sum, in the world of Morpheus, Morpheus
itself is the only “local” community that it does or rationally can
recognize. My view is that any attempt to relate its file transfer
protocol to geographically local community standards results in
issues of basic justice and fundamental fairness so hopelessly
muddled as to be unusable in law.
I believe that Morpheus
sets the stage for the next round of legal battles regarding the law
of free expression versus obscenity, raising new issues in the
debate that threaten to tear down the whole legal edifice of
obscenity law in the United States no matter how the Supreme Court
decides Ashcroft v. Free Speech Coalition and Ashcroft v.
ACLU.
When I think of someone trying to stop the flow of
these images now, what comes to mind is an illustration I remember
from a grade school textbook, a drawing of King Canute in his
throne, on the beach, desperately repeating an order to the tide not
to come in, as his robes become soaked. And maybe next time I visit
Morpheus, I’ll go looking for that Bob Dylan song with the same
metaphor, for the times really are a-changin’, and the waters around
the American law of obscenity really are rising.
This
article is written to generally inform the public and does not
provide legal advice nor does it establish an attorney-client
relationship. If you have a legal issue or question, contact a
lawyer. If you are arrested, make no statement, consent to nothing,
but make no resistance, and contact a lawyer
immediately.
Joe Obenberger is a Chicago Loop lawyer
concentrating in the law of free expression and liberty under the
United States Constitution, and his firm has represented many
owners, employees, and customers of adult-oriented businesses, both
online and in the real world. He can be reached in the office at
(312) 558-6420 or paged in any emergency at (312) 250-4118. His
e-mail address is xxxlaw@execpc.com. His website
URL on the World Wide Web is http://www.xxxlaw.net/.
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