Many people have
questioned the accuracy of the American "neo-Nazi" group
National Alliance's
essay "Who Rules America?" -- an essay that alleges that
one race -- Jews -- dominates Hollywood, the media, and
book publishing.
Below is that NA essay, along
with web search results for the persons mentioned within
the essay. The goal for verification of the NA essay was
to find non-racist/non-White-supremacist sources for
all, or most, of the Jewish names/positions/ownerships
claimed within the NA essay. A 100% verification was not
necessary -- 90% would do, as few sociologically-based
claims are ever 100% exact.
A 90% verification
of that NA essay was obtained via web searches. The
accuracy of the sources, while not scientifically
perfect, is at least reasonable. Indeed, mainstream
newspapers print corrections daily.
Based on
these random search results, the "neo-Nazi" group
National Alliance is correct in its claim that Jews
dominate Hollywood and the U.S. media. Therefore, Jewish
groups which claim that NA is lying to the public are
themselves liars. Indeed, that was the main point of
this verification: to show that neo-Nazi-type groups are
correct in their charges about Jews and that the
stereotype of Jews being bold liars is
true.
----
Who Rules
America?
The Alien Grip on Our News and
Entertainment Media Must Be Broken
By the
Research Staff of National Vanguard Books
P.O. Box
330 Hillsboro West Virginia 24946 USA
There is no
greater power in the world today than that wielded by
the manipulators of public opinion in America. No king
or pope of old, no conquering general or high priest
ever disposed of a power even remotely approaching that
of the few dozen men who control America's mass media of
news and entertainment.
Their power is not
distant and impersonal; it reaches into every home in
America, and it works its will during nearly every
waking hour. It is the power that shapes and molds the
mind of virtually every citizen, young or old, rich or
poor, simple or sophisticated.
The mass media
form for us our image of the world and then tell us what
to think about that image. Essentially everything we
know -- or think we know -- about events outside our own
neighborhood or circle of acquaintances comes to us via
our daily newspaper, our weekly news magazine, our
radio, or our television.
It is not just the
heavy-handed suppression of certain news stories from
our newspapers or the blatant propagandizing of
history-distorting TV "docudramas" that characterizes
the opinion-manipulating techniques of the media
masters. They exercise both subtlety and thoroughness in
their management of the news and the entertainment that
they present to us.
For example, the way in
which the news is covered: which items are emphasized
and which are played down; the reporter's choice of
words, tone of voice, and facial expressions; the
wording of headlines; the choice of illustrations -- all
of these things subliminally and yet profoundly affect
the way in which we interpret what we see or hear.
On top of this, of course, the columnists and
editors remove any remaining doubt from our minds as to
just what we are to think about it all. Employing
carefully developed psychological techniques, they guide
our thought and opinion so that we can be in tune with
the "in" crowd, the "beautiful people," the "smart
money." They let us know exactly what our attitudes
should be toward various types of people and behavior by
placing those people or that behavior in the context of
a TV drama or situation comedy and having the other TV
characters react in the Politically Correct way.
Molding American Minds
For example, a
racially mixed couple will be respected, liked, and
socially sought after by other characters, as will a
"take charge" Black scholar or businessman, or a
sensitive and talented homosexual, or a poor but honest
and hardworking illegal alien from Mexico. On the other
hand, a White racist -- that is, any racially conscious
White person who looks askance at miscegenation or at
the rapidly darkening racial situation in America -- is
portrayed, at best, as a despicable bigot who is reviled
by the other characters, or, at worst, as a dangerous
psychopath who is fascinated by firearms and is a menace
to all law-abiding citizens. The White racist "gun nut,"
in fact, has become a familiar stereotype on TV shows.
The average American, of whose daily life
TV-watching takes such an unhealthy portion,
distinguishes between these fictional situations and
reality only with difficulty, if at all. He responds to
the televised actions, statements, and attitudes of TV
actors much as he does to his own peers in real life.
For all too many Americans the real world has been
replaced by the false reality of the TV environment, and
it is to this false reality that his urge to conform
responds. Thus, when a TV scriptwriter expresses
approval of some ideas and actions through the TV
characters for whom he is writing, and disapproval of
others, he exerts a powerful pressure on millions of
viewers toward conformity with his own views.
And as it is with TV entertainment, so it is
also with the news, whether televised or printed. The
insidious thing about this form of thought control is
that even when we realize that entertainment or news is
biased, the media masters still are able to manipulate
most of us. This is because they not only slant what
they present, but they establish tacit boundaries and
ground rules for the permissible spectrum of opinion.
As an example, consider the media treatment of
Middle East news. Some editors or commentators are
slavishly pro-Israel in their every utterance, while
others seem nearly neutral. No one, however, dares
suggest that the U.S. government is backing the wrong
side in the Arab-Jewish conflict and that it served
Jewish interests, rather than American interests, to
send U.S. forces to cripple Iraq, Israel's principal
rival in the Middle East. Thus, a spectrum of
permissible opinion, from pro-Israel to nearly neutral,
is established.
Another example is the media
treatment of racial issues in the United States. Some
commentators seem almost dispassionate in reporting news
of racial strife, while others are emotionally partisan
-- with the partisanship always on the non-White side.
All of the media spokesmen without exception, however,
take the position that "multiculturalism" and racial
mixing are here to stay, and that they are good things.
Because there are differences in degree,
however, most Americans fail to realize that they are
being manipulated. Even the citizen who complains about
"managed news" falls into the trap of thinking that
because he is presented with an apparent spectrum of
opinion he can escape the thought controllers' influence
by believing the editor or commentator of his choice.
It's a "heads I win, tails you lose" situation. Every
point on the permissible spectrum of public opinion is
acceptable to the media masters -- and no impermissible
fact or viewpoint is allowed any exposure at all, if
they can prevent it.
The control of the
opinion-molding media is nearly monolithic. All of the
controlled media -- television, radio, newspapers,
magazines, books, motion pictures -- speak with a single
voice, each reinforcing the other. Despite the
appearance of variety, there is no real dissent, no
alternative source of facts or ideas accessible to the
great mass of people that might allow them to form
opinions at odds with those of the media masters. They
are presented with a single view of the world -- a world
in which every voice proclaims the equality of the
races, the inerrant nature of the Jewish "Holocaust"
tale, the wickedness of attempting to halt the flood of
non-White aliens pouring across our borders, the danger
of permitting citizens to keep and bear arms, the moral
equivalence of all sexual orientations, and the
desirability of a "pluralistic," cosmopolitan society
rather than a homogeneous, White one. It is a view of
the world designed by the media masters to suit their
own ends -- and the pressure to conform to that view is
overwhelming. People adapt their opinions to it, vote in
accord with it, and shape their lives to fit it.
And who are these all-powerful masters of the
media? As we shall see, to a very large extent they are
Jews. It isn't simply a matter of the media being
controlled by profit-hungry capitalists, some of whom
happen to be Jews. If that were the case, the ethnicity
of the media masters would reflect, at least
approximately, the ratio of rich gentiles to rich Jews.
Despite a few prominent exceptions, the preponderance of
Jews in the media is so overwhelming that we are obliged
to assume that it is due to more than mere happenstance.
Electronic News & Entertainment Media
Continuing government deregulation of the
telecommunications industry has resulted, not in the
touted increased competition, but rather in an
accelerating wave of corporate mergers and acquisitions
that have produced a handful of multi-billion-dollar
media conglomerates. The largest of these conglomerates
are rapidly growing even bigger by consuming their
competition, almost tripling in size during the 1990s.
Whenever you watch television, whether from a local
broadcasting station or via cable or a satellite dish;
whenever you see a feature film in a theater or at home;
whenever you listen to the radio or to recorded music;
whenever you read a newspaper, book, or magazine -- it
is very likely that the information or entertainment you
receive was produced and/or distributed by one of these
megamedia companies.
AOL-TW. The largest media
conglomerate today is AOL-Time Warner, created when
America Online bought Time Warner for $160 billion in
2000. The merger brought together Steve Case, a White
gentile, as chairman of AOL-TW, and Gerald Levin, a Jew,
as the CEO. A brief history of the company is in order.
[Levin as both CEO and Jewish:
http://media.guardian.co.uk/news/story/0,7541,614468,00.html
; article "Keep the faith, reap the net profits -
Interview: Gerald Levin, chief executive officer,
AOL-Time Warner," March 10, 2001; quote from the
article: "he thought seriously about becoming a
rabbi"]
The four (gentile) Warner
brothers founded their movie company in 1907 and had
their first major success ten years later with My 4
Years in Germany. WB incorporated in 1923 and went on to
cartoon success with Porky Pig and Bugs Bunny. In 1944,
a court ruled that WB must release Olivia de Havilland
after her seven-year contract. This decision prevented
any one company from controlling a pool of creative
talent, but it did nothing to stop the Jews from
controlling the entire industry with which that talent
was obliged to work. In 1948, WB sold its film library
to MGM. In 1949, another court ruling forced WB to sell
its cinema chain, obstructing vertical integration by a
single movie-making company, while doing nothing to
prevent the Jews from establishing such integration
through an ethnic collaboration.
In 1958, WB
created Warner Brothers Records, which was later renamed
WEA. In 1968, Jack Warner sold his shares to Seven Arts,
while DC and All-American Comics were bought by Kinney
National Services (a funeral parlor conglomerate).
Kinney turned around and bought a talent agency, then
turned around again and bought Warner-Seven Arts,
becoming Warner Communications.
Warner
Communications bought Elektra Records in 1970, the same
year that Jew David Geffen [see
elsewhere] started the Asylum label. (The name
is synonymous with crazy-house.) Time bought HBO from
Charles Dolan in 1972. Ironically, 1972 was also the
year when Money magazine began publication, while
the (original) magazine Life ceased.
Ted
Turner entered the major media scene in 1976 when his TV
station WTCG (Atlanta) was carried on US cable networks.
In 1979, Turner Communications Group became Turner
Broadcasting System, and WTCG was renamed WTBS. The
following year, CNN became the world's first 24-hour
all-news cable network. Turner tried to buy CBS in 1985,
but he was blocked when Lawrence Tisch, a Jew, bought
25% of shares. Instead, Turner bought MGM's film library
(1986). TBS merged with Castle Rock and New Line Cinema
in 1994. In 1996, Turner made a career-busting faux pas
by selling TBS to Time Warner. AOL bought Time Warner in
2000. [Tisch as a "Jewish
leader": article "Bob and Jane at the White House," by
Jane Filner, July 23, 1999, Here.
; quote: "There were many important Jewish leaders from
across the country, business people and heads of
organizations. Elie Weisel, Ron Lauder, Bonnie Lipton,
Ronald Perelman,...Lawrence Tisch"]
In
2001, Gerald Levin, who had been Chairman of Time Warner
and then CEO of the merged AOL-TW, fired Ted Turner from
his position during a telephone conversation. Control of
TBS temporarily shifted to Robert Pittman (a White
gentile), but was given shortly afterward to Walter
Isaacson, a Jew, who was recruited from his former
position at Time Inc., to take over the company that Ted
Turner built. We're reasonably certain that Ted Turner
would not have sold TBS to Time Warner if he'd known
that Levin was going to fire him only five years later.
Levin smooth-talked Turner in classic Jewish fashion,
and Turner, having placed his trust in a Jew's honor,
paid the price for that mistake. [Walter Isaacson as Jewish: http://www.converge.org.nz/pma/cra0377.htm
, article: "The American View: Biased in Favor of Israel
...Who, Us? -- Bush's options in the Middle East are
limited by the US's powerful Jewish lobby," April 14,
2002. Quote: "Other prominent American Jews lead and
work widely in the media, the film industry, banking and
politics. Media figures include...Walter Isaacson..."
Surname Isaacson as very often Jewish: Jewish
genealogical search engine: http://www.jewishgen.org/jgff/jgffweb.htm
; Isaacson as CNN head: article "CNN seeks balance in
Mideast coverage," by Gary Rosenblatt, July 5, 2002, http://www.jewishaz.com/jewishnews/020705/balance.shtml
]
But Levin wasn't finished with his
dagger. Having backstabbed Turner, he did likewise to
his other useful dupe, Robert Pittman. Pittman had been
Levin's champion for the AOL-TW merger on the AOL side.
While we don't know for certain what Pittman's motive
was, we could guess that it had something to do with
Pittman believing himself to be Levin's choice as the
new CEO at AOL-TW after Levin's retirement. But when the
time came to finalize his choice of successor, Levin
bypassed Pittman and gave the position to his long-time
pet mulatto, Richard Parsons. Parsons has been AOL-TW's
CEO since May 2002. Pittman, though initially grumpy
about this treatment, has moderated his tone. A paycheck
less than Parsons' paycheck is still better than no
paycheck at all.
Before the merger, AOL was the
largest Internet service provider in America, and it is
now being used as an online platform for the Jewish
content from Time Warner. Time Warner, with 1997
revenues of more than $13 billion, was the second
largest of the international media leviathans when it
was bought by AOL.
Time Warner's subsidiary HBO
is the country's largest pay-TV cable network. Until the
purchase in May 1998 of PolyGram by Edgar Bronfman, Jr.,
Warner Music was America's largest record company, with
50 labels, the biggest of which is Warner Brothers
Records (WEA). Warner Music was an early promoter of
"gangsta rap." Through its involvement with Interscope
Records (prior to Interscope's acquisition by MCA), it
helped to popularize a genre whose graphic lyrics
explicitly urge Blacks to commit acts of violence
against Whites. [Edgar Bronfman,
Jr. as Jewish and a CEO: article "Bronfman brothers give
Jews reason to raise glasses," by Julie Wiener, June 23,
2000, http://www.jewishsf.com/bk000623/iseagrams.shtml
; quote: "Edgar Bronfman Sr. and his brother, Charles,
are among a handful of mega-philanthropists in the
Jewish world..." ]
AOL-TW's publishing
ventures include Time-Life International Books,
Time-Life Education, Time-Life Music, Time-Life
AudioBooks, Book-of-the-Month Club (both adult and
children's branches), Paperback Book Club, History Book
Club, Money Book Club, HomeStyle Books, Crafter's
Choice, One Spirit, Little Brown, Bulfinch Press, Back
Bay Books, Warner Books, Warner Vision, The Mysterious
Press, Warner Aspect, Warner Treasures, Oxmoor House,
Leisure Arts, Sunset Books and TW Kids.
AOL-TW
owns the following cable and satellite companies, among
others: Cinemax, Time Warner Sports, HBO (7 US and 6
international divisions), CNN (10 divisions worldwide),
Time Warner Cable, Road Runner, Time Warner
Communications (primarily a telephone service), New York
City Cable Group, New York 1 (a sort of CNN devoted
exclusively to news in the NYC area), Time Warner Home
Theater, Time Warner Security (video monitoring),
Court-TV (ownership shared with Liberty Media), Comedy
Central (ownership shared with Viacom) and Kablevision
(Hungary).
AOL-TW owns the following TV and
movie companies: Warner Brothers, WB studios, WB
Television (Productions, Animation, and Network),
Hanna-Barbera Cartoons, Telepictures Production,
Witt-Thomas Productions, Castle Rock Entertainment,
Warner Home Video, WB Domestic Pay-TV, WB Domestic TV
Distribution, WB International TV Distribution, The
Warner Channel (separate companies for Latin America,
Asia-Pacific, Australia, and Germany), and WB
International Theaters in 12 countries.
The
editor-in-chief of Time Warner's publishing division is
Norman Pearlstine, a Jew. AOL-TW owns the following
magazines: Time, Time Asia, Time
Atlantic, Time Canada, Time Latin
America, Time South Pacific, Time
Money, Time For Kids, Fortune,
Life (the watered-down new version), Sports
Illustrated (plus SI Women/Sport, SI
International, and SI For Kids), Inside
Stuff, Money, Your Company, Your
Future, People, Who Weekly (Australia),
People en Espaņol, Teen People,
Entertainment Weekly, EW Metro, The
Ticket, In Style, Southern Living,
Progressive Farmer, Southern Accents,
Cooking Light, Travel Leisure, Food
& Wine, Your Company, Departures,
SkyGuide, Vertigo, Paradox,
Milestone, Mad Magazine, Parenting,
Baby Talk, Baby on the Way, This Old
House, Sunset, Sunset Garden Guide,
Health, Hippocrates, Costal Living,
Weight Watchers, Real Simple,
President (Japan), and Dancyu (Japan).
AOL-TW owns 80 additional magazines (mostly hobby and
leisure) in Britain. [Pearlstine
as Jewish and a CEO: article "A Perfect Day for Banana
Feet," by Michael Gross, originally published in the
January, 1995 issue of Esquire magazine, http://www.mgross.com/profiles/norman.htm
; quote: "Assimilation into other, stuffier cultures
appears to be a Pearlstine family trait. He was born in
1942 and raised in tiny Collegeville, Pennsylvania, one
of several children in the only Jewish family in
town."]
AOL-TW holds the following
music record labels: Atlantic Group, Atlantic Classics,
Atlantic Jazz, Atlantic Nashville, Atlantic Theater, Big
Beat, Background, Breaking, Curb, Igloo, Lava,
Mesa/Bluemoon, Modern, Rhino Records, Elektra, EastWest,
Asylum, Elektra/Sire, Warner Brothers Records, Warner
Nashville, Warner Alliance, Warner Resound, Warner
Sunset, Reprise, Reprise Nashville, American Recordings,
Giant, Maverick, Revolution, Qwest, Warner Music
International, WEA Telegram, East West ZTT, Coalition,
CGD East West, China, Continental, DRO East West, Erato,
Fazer, Finlandia, MCM, Nonesuch, and Teldec.
Disney. The second-largest media conglomerate
today, with 1997 revenues of $23 billion, is the Walt
Disney Company. Its chairman and CEO, Michael Eisner, is
a Jew. The Disney empire, headed by a man described by
one media analyst as "a control freak," includes several
television production companies (Walt Disney Television,
Touchstone Television, Buena Vista Television) and cable
networks with more than 100 million subscribers
altogether. The TV stations under Disney control
include: WLS (Chicago), WJRT (Flint), KFSN (Fresno),
KTRK (Houston), KABC (Los Angeles), WABC (New York
City), WPVI (Philadelphia), WTVD (Raleigh), KGO (San
Francisco) and WTVG (Toledo). [Michael Eisner as Jewish and a CEO:
article "Eisner Un-Moused?" by Michael Wolff, July 12,
1999 issue of New York Magazine, http://www.newyorkmetro.com/nymetro/news/media/columns/medialife/143
; quote: "(for ten years, in our family, we've been
watching a tape of Mary Poppins introduced by Michael
Eisner, who glides down the cable car at Disneyland and
like a folksy Dad -- a Jewish Walt -- presents the
Disney classic)"]
Disney also has a
major presence in radio, owning WKHX, WYAY and WDWD in
Atlanta; WMVP, WLS, and WXCD in Chicago; WBAP and KSCS
in Dallas; WDRQ, WJR and WPLT in Detroit; KLOS and KTZN
in Los Angeles; KQRS, KXXR, KDIZ, KZNR, and KZNT in St.
Paul; WPLJ in New York City; KSFO in San Francisco;
WMAL, WJZW, and WRQX in Washington; and ESPN Radio.
As for feature films, the Walt Disney Motion
Pictures Group, under Walt Disney Studios, headed by
Joseph E. Roth (also a Jew), includes Walt Disney
Pictures, Touchstone Pictures, Hollywood Pictures, and
Caravan Pictures. Roth founded Caravan Pictures in
January 1993, and it is now headed by his fellow Jew
Roger Birnbaum. Disney also owns Miramax Films, run by
the Weinstein brothers, Bob and Harvey, who have
produced such ultra-raunchy movies as The Crying Game,
Priest, and Kids. [Roth
mentioned as Jewish: essay by Michael Medved, "Jews Run
Hollywood -- So What?" in Moment magazine, August
1996; ditto Ben Stein essay -- see elsewhere; surname
"Roth" as usually Jewish, i.e. many "hits" at a Jewish
genealogical search engine: http://www.jewishgen.org/jgff/jgffweb.htm
; Roth as top honcho: Disney Board of Directors list, http://www.disneyinternational.com/AnnualReport/board_dir.htm
; Birnbaum as a top Hollywood honcho: http://www.city-journal.org/html/8_4_a1.html
; surname "Birnbaum" as usually Jewish: Jewish
genealogical search engine: http://www.jewishgen.org/jgff/jgffweb.htm
; Weinstein brothers as Jewish, and CEOs: film review by
Gerald Peary of "Life Is Beautiful" at http://www.geraldpeary.com/reviews/jkl/life-is-beautiful.html
; quote: "Oy gevalt! I must add that many blessing this
picture are my own Chosen People, who definitely should
know better. Miramax bosses Harvey and Bob Weinstein
(Jewish! Jewish!) have lined up endorsements from groups
like the Anti-Defamation
League..."]
When the Disney Company was
run by the gentile Disney family, prior to its takeover
by Eisner in 1984, it epitomized wholesome, family
entertainment. While it still holds the rights to
Snow White, the company under Eisner has expanded
into the production of a great deal of so-called "adult"
material.
In August 1995, Eisner acquired
Capital Cities/ABC, Inc., which owns the ABC Television
Network, which in turn owns ten TV stations outright in
such big markets as New York, Chicago, Philadelphia, Los
Angeles, San Francisco, and Houston. In addition, it has
225 affiliated stations in the United States and is part
owner of several European TV companies.
ABC's
cable subsidiary, ESPN, is headed by president and CEO
Steven Bornstein, who is a Jew. The corporation also has
a controlling share of Lifetime Television and A & E
Television Networks cable companies, with 67 million
subscribers each. ABC Radio Network owns 26 AM and FM
stations, again in major cities such as New York,
Washington, and Los Angeles, and has over 3,400
affiliates. [Surname "Bornstein"
as often Jewish: Jewish genealological search engine: http://www.jewishgen.org/jgff/jgffweb.htm
; Bornstein as both ABC and ESPN chiefs: ESPN article
"Steven M. Bornstein named President, ABC Television,"
author/year not given, http://espn.go.com/pr/s/010410steveb.html
]
Although primarily a
telecommunications company, Capital Cities/ABC earned
over $1 billion in publishing in 1997. Besides these
publishing concerns, Disney owns Walt Disney Company
Book Publishing, Hyperion Books, and Miramax Books. It
also owns six daily newspapers, including the Albany
Democrat and the St. Louis Daily Record.
Disney's magazine titles include Automotive
Industries, Biography (partial ownership),
Discover, Disney Adventures, Disney
Magazine, ECN News, ESPN Magazine,
Family Fun, Family PC, Institutional
Investor, Jane, JCK, Kentucky
Prairie Farmer, Kodin, Los Angeles,
Multichannel News, Penny Power,
Talk, Top Famille (France), Video
Business, and Quality.
Disney operates
660 retail stores worldwide (the figure is for April
2000). And, incidentally, it is also invested in crude
oil and natural gas exploitation.
On the
Internet, Disney runs Buena Vista Internet Group, ABC
Internet Group, ABC.com, ABCNEWS.com, Oscar.com, Mr.
Showbiz, Disney Online, Disney's Daily Blast,
Disney.com, Family.com, ESPN Internet Group,
ESPN.sportzone.com, Soccernet.com, NFL.com, NBA.com,
Infoseek (partial ownership), and Disney Interactive.
Viacom. Number three on the list, with 1997
revenues of just over $13 billion, is Viacom, Inc.,
headed by Sumner Redstone (born Murray Rothstein), a
Jew. Viacom was formed in 1971 as a way to dodge an
anti-monopoly FCC ruling that required CBS to spin off a
part of its cable TV operations and syndicated
programming business. This move by the government
unfortunately did nothing to reduce the mostly Jewish
collaborative monopoly that remains the major problem
with the industry. In 1999, after CBS had again
augmented itself by buying King World Productions (a
leading TV program syndicator), Viacom acquired its
progenitor company, CBS, in a double mockery of the
spirit of the 1971 ruling. [Redstone as Jewish and CEO: article,
"Event Archive, Sumner Redstone - June 15, 2001," http://www.commonwealthclub.org/archive/01/01-06redstone-speech.html
; quote from Redstone: "For 60 years, I bought suits off
the rack. Some would say I didn't do too well doing it.
I was born to the children of Jewish immigrants. I spent
my early years in a tenement. Our apartment didn't have
a toilet."
Viacom produces and
distributes TV programs for the three largest networks,
owns 13 television stations and 12 radio stations. It
produces feature films through Paramount Pictures,
headed by Jewess Sherry Lansing. Redstone acquired CBS
following the December 1999 stockholders' votes at CBS
and Viacom. [Lansing as Jewish
and a CEO: essay "Do Jews Run Hollywood?," by Ben Stein,
no date given, http://www.realolam.com/channels/default.asp?channel=37&articleid=2723
; quote: "At mighty Paramount, the controlling
stockholder is Sumner Redstone. Head of the studio is
Jon Dolgen. Head of production is Sherry Lansing -- all
members of the tribe." Article was written by a Jew,
Stein.
Working for Redstone as CBS's
chief executive is a Jew named Melvin A. Karmazin. He is
the boss and biggest individual shareholder of the
company that owns the CBS Television Network, 14
major-market TV stations, 160 radio stations, the
Country Music Television and the Nashville Network cable
channels, and a large number of outdoor advertising
assets. [Karmazin as Jewish and
a CEO: article "Meet the New Boss at CBS (Careful, He
Bites)," no author given, March 16, 1998 issue of New
York Magazine, http://www.newyorkmetro.com/nymetro/news/media/features/2372/index1.html
; quote: "Finally, like the late Steve Ross, the
legendary former head of Time Warner, Karmazin is the
charismatic Jewish striver from the outer boroughs, the
self-made man who rose to the highest
heights."].
Viacom's publishing
division includes Simon & Schuster, Scribner, The
Free Press, Fireside, Archway Paperbacks and Minstrel
Books, Anne Schwartz Books, MTV Books, Nickelodeon
Books, Pocket Books, and Washington Square Press. It
distributes videos through over 4,000 Blockbuster stores
(including the Video Flicks chain in Australia). It is
also involved in satellite broadcasting, theme parks,
and video games.
Viacom's chief claim to fame,
however, is as the world's largest provider of cable
programming, through its Showtime, MTV, Nickelodeon, and
other networks. Since 1989 MTV and Nickelodeon have
acquired larger and larger shares of the juvenile
television audience. The first quarter of 2001 was the
16th consecutive quarter in which MTV was rated as the
#1 cable network for viewers between the ages of 12 and
24. Redstone, who actually owns 76 per cent of the
shares of Viacom, has offered Beavis and Butt-head as
teen role models and currently is the largest single
purveyor of race-mixing propaganda to White teenagers
and sub-teens in America and in Europe. MTV Networks
acquired The Music Factory (TMF) from the Dutch media
and marketing group Wegener in 2001. TMF distributes
music to almost 10 million homes in Holland and Belgium.
MTV is expanding its presence in Europe through new
channels, including MTV Dance (Britain) and MTV Live
(Scandinavia). MTV Italy is active through Cecchi Gori
Communications. MTV pumps its racially mixed rock and
rap videos into 210 million homes in 71 countries and is
the dominant cultural influence on White teenagers
around the world.
[PART TWO
COMING...]
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